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Artworks of Lucie Jestrabikova

Siderity

Siderit

Siderity

Drawing on a scotch tape, 20x20x30 cm, 2022

Drawing on a scotch tape, 20x20x30 cm, 2022

Two worlds

Drawing on a scotch tape, 20x20x30 cm, 2022

Drawing on a scotch tape, 20x20x30 cm, 2022

Two worlds

Drawing on a scotch tape, 20x20x30 cm, 2022

Drawing on a scotch tape, 20x20x30 cm, 2022

Two worlds

The group of thoughtless, porcelain vase, 2021/2022

The group of thoughtless, porcelain vase, 2021/2022

The group of thoughtless

The group of thoughtless, porcelain vase, 2021/2022

The group of thoughtless, porcelain vase, 2021/2022

The group of thoughtless

The group of thoughtess,porcelain vase 2021/2022

The group of thoughtess,porcelain vase 2021/2022

The group of thoughtless

Lost in the structure 2020/2021, drawing, 200x100x15 cm.

Lost in the structure 2020/2021, drawing, 200x100x15 cm.

Lost in the structure, detail

Lost in the structure 2020/2021, drawing, 200x100x15 cm.

Lost in the structure 2020/2021, drawing, 200x100x15 cm.

Lost in the structure

Trilobite 2018, performance. " looking for a fossil, looking for a legacy"

Trilobite 2018, performance. " looking for a fossil, looking for a legacy"

Trilobite

Trilobite 2018, performance

Trilobite 2018, performance

Trilobite

5 Touchpoints, drawing on a scotch tape, metal construction, 2021

5 Touchpoints, drawing on a scotch tape, metal construction, 2021

5 Touchpoints

5 Touchpoints, drawing on a scotch tape, metal construction, 2021

5 Touchpoints, drawing on a scotch tape, metal construction, 2021

5 Touchpoints

Paravane - Sediment collection, drawing on a scotch tape, 160x120x30cm 2019

Paravane - Sediment collection, drawing on a scotch tape, 160x120x30cm 2019

Paravane

Paravane 2019/2020 detail

Paravane 2019/2020 detail

Paravane, detail

Who's afraid to draw 2022

Who's afraid to draw 2022

Sediments

Everything has an own culture 2018, Installation- 3 swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture 2018, Installation- 3 swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture

swimming pools, with SCOBY. Collaboration with Zuzana Štefková

swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture

Everything has an own culture 2018, Installation- 3 swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture 2018, Installation- 3 swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture

Everything has an own culture 2018, Installation- 3 swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture 2018, Installation- 3 swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture

swimming pools, with SCOBY. Collaboration with Zuzana Štefková

swimming pools, with SCOBY. Collaboration with Zuzana Štefková

Everything has an own culture

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst 2017, drawing on a thermo-sensitive paper. "Piece which disappear, like a house wife's work."

Hausfraukunst

Be in touch II., 2021, 180x100 cm, paper collage. " Could be possible to be overloaded by touch"?

Be in touch II., 2021, 180x100 cm, paper collage. " Could be possible to be overloaded by touch"?

Be in touch II. detail

Be in touch II., 2021, 180x100 cm, paper collage. " Could be possible to be overloaded by touch"?

Be in touch II., 2021, 180x100 cm, paper collage. " Could be possible to be overloaded by touch"?

Be in touch II.

Please change your clothes II. 2019, participative-performance/installation. In collaboration with Gravidity group.

Please change your clothes II. 2019, participative-performance/installation. In collaboration with Gravidity group.

Please change your clothes II.

Please change your clothes II. 2019, participative-performance/installation. In collaboration with Gravidity group.

Please change your clothes II. 2019, participative-performance/installation. In collaboration with Gravidity group.

Please change your clothes II.

Skin of a dead ghost-purple 2019, "How could looks like a skin of a dead ghost?" acryl

Skin of a dead ghost-purple 2019, "How could looks like a skin of a dead ghost?" acryl

Skin of a dead ghost- purple

Skin of a dead ghost-green 2019, "How could looks like a skin of a dead ghost?" acryl

Skin of a dead ghost-green 2019, "How could looks like a skin of a dead ghost?" acryl

Skin of a dead ghost-green

Triptychon, Sediments collection 2019. Drawing on a scotch tape.

Triptychon, Sediments collection 2019. Drawing on a scotch tape.

Triptychon, Sediments collection

House of cards, 2019, 50x50x50cm. Drawing on a scotch tape.

House of cards, 2019, 50x50x50cm. Drawing on a scotch tape.

House of cards

Exhibition for introverts 2017, Site specific installation for a castle Gallery in Zruč nad Sázavou. In collaboration with Anastásia Stročková. "How to have a deeply impression from the exhibition. "

Exhibition for introverts 2017, Site specific installation for a castle Gallery in Zruč nad Sázavou. In collaboration with Anastásia Stročková. "How to have a deeply impression from the exhibition. "

Exhibition for introverts

Exhibition for introverts 2017, Site specific installation for a castle Gallery in Zruč nad Sázavou. In collaboration with Anastásia Stročková. "How to have a deeply impression from the exhibition. "

Exhibition for introverts 2017, Site specific installation for a castle Gallery in Zruč nad Sázavou. In collaboration with Anastásia Stročková. "How to have a deeply impression from the exhibition. "

Exhibition for introverts

Be in touch I., 2020, paper collage, 180x100cm. " Could be possible to be overloaded by touch"?

Be in touch I., 2020, paper collage, 180x100cm. " Could be possible to be overloaded by touch"?

Be in touch I.

Be in touch I., 2020, paper collage, 180x100cm. " Could be possible to be overloaded by touch"?

Be in touch I., 2020, paper collage, 180x100cm. " Could be possible to be overloaded by touch"?

Be in touch I., paper collage

Peephole, Space between collection 2018

Peephole, Space between collection 2018

Peephole

Sun chair, Space between collection, 2017

Sun chair, Space between collection, 2017

Sun chair

Elephant's Trunk, Space between collection 2018

Elephant's Trunk, Space between collection 2018

Elephant's Trunk

Mouth, Space between collection 2017

Mouth, Space between collection 2017

Mouth

Bloodsucker, Space between collection, 2017

Bloodsucker, Space between collection, 2017

Bloodsucker, Object

Sprout 2015, performance during the exhibition in NIKA. "I stay in the Gallery till the glass will be filed by my tears. Illustration by Anastasia Stročková" Gallery.

Sprout 2015, performance during the exhibition in NIKA. "I stay in the Gallery till the glass will be filed by my tears. Illustration by Anastasia Stročková" Gallery.

Sprout

Sediments 2017, Stolen Gallery. Installation in front of the Stolen Gallery, Textile object+ agar object

Sediments 2017, Stolen Gallery. Installation in front of the Stolen Gallery, Textile object+ agar object

Sediments

Sprout 2015, performance during the exhibition in NIKA. "I stay in the Gallery till the glass will be filed by my tears. Illustration by Anastasia Stročková" Gallery.

Sprout 2015, performance during the exhibition in NIKA. "I stay in the Gallery till the glass will be filed by my tears. Illustration by Anastasia Stročková" Gallery.

Sprout

Sediments 2017, Drawing on a scotch tape

Sediments 2017, Drawing on a scotch tape

Sediments

Sediments 2017, 4 Objects- drawing on a scotch tape, 3 Collage-drawing on a scotch tape

Sediments 2017, 4 Objects- drawing on a scotch tape, 3 Collage-drawing on a scotch tape

Exhibition Sediments

Esperanto 2015, 120x 60 cm, Chinese ink painting. Interpretation of datas in a picture.

Esperanto 2015, 120x 60 cm, Chinese ink painting. Interpretation of datas in a picture.

Esperanto

Esperanto 2015, 120x 60 cm, Chinese ink painting. Interpretation of datas in a picture.

Esperanto 2015, 120x 60 cm, Chinese ink painting. Interpretation of datas in a picture.

Esperanto

Esperanto 2015, 120x 60 cm, Chinese ink painting. Interpretation of datas in a picture.

Esperanto 2015, 120x 60 cm, Chinese ink painting. Interpretation of datas in a picture.

Esperanto

Without tongue, video 2014 "How could stones communicate together? "

Without tongue, video 2014 "How could stones communicate together? "

Without tongue

Without tongue, video 2014

Without tongue, video 2014

Without tongue

Without tongue, video 2014 "How could stones communicate together? "

Without tongue, video 2014 "How could stones communicate together? "

Without tongue

My boyfriend came back from the war 2013, 800x160cm, ink painting on a silk.

My boyfriend came back from the war 2013, 800x160cm, ink painting on a silk.

My boyfriend came back from the war

Portraits 2013, analog Photo

Portraits 2013, analog Photo

Portraits

Microscope/Telescope, 2012, bamboo object

Microscope/Telescope, 2012, bamboo object

Microscope/ Telescope

Microscope/ Telescope, ,photo collage 2012

Microscope/ Telescope, ,photo collage 2012

Microscope/ Telescope

1827 Fragments, video 2012 "How to destroy memories in an on-line/off-line world."

1827 Fragments, video 2012 "How to destroy memories in an on-line/off-line world."

1827 Fragments

1827 Fragments, video 2012 "How to destroy memories in an on-line/off-line world."

1827 Fragments, video 2012 "How to destroy memories in an on-line/off-line world."

1827 Fragments

Body painting 2012, photo

Body painting 2012, photo

Body painting

Body painting 2012, photo

Body painting 2012, photo

Body painting

Body painting 2012, photo

Body painting 2012, photo

Body painting, photo

Settle down the underway. Happening 2011

Settle down the underway. Happening 2011

Settle down the underway

Settle down the underway. Happening 2011

Settle down the underway. Happening 2011

Settle down the underway

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